Film Photography Archives - The Image Journey

Published January 4, 2023 by avardw

When old men wore dress hats – 2023_01_04

Yonge and Dundas, Toronto, 1980 – © Avard Woolaver

Back when I was growing up in the 1970s my grandfather George Mason used to wear a dress hat on special occasions, or when he went into town. I always thought they looked cool, and probably tried them on from time to time. When I moved to Toronto in 1980, I noticed that older men were still wearing these hats. Perhaps took note of them and photographed them because of my grandfather.

I always assumed men wore dress hats, or “business hats” to hide balding heads, or to protect them from the elements. But it seems, in history, hats were a thing for other reasons. According to Deborah Henderson, a costume designer and the author of four books about men’s headwear, “Throughout history, people wore hats to indicate their social position in the world. Any trade—postman, engineer, pilot—had its own cap. Even lawyers, in the ’50s, all wore fedoras.”

Why did men stop wearing dress hats? An article from Esquire magazine suggests that nobody has pinpointed one sole reason why men stopped wearing hats. One reason could be the rise in automobile use. “With low roofs meaning you couldn’t wear a hat while driving and generally had no need to cover your head anyway, personal transport often negated the need for headwear.”

Another reason could be the stigma associated with WWII. “Another theory posited suggests that the hat suffered a serious decline after the end of World War II because it was an unwelcome reminder of the time people had spent in uniform. Men who fought did not want to wear hats with civilian clothes after the war.”

Benjamin Leszcz writes in Canadian Business, “A potent social signifier, hats identified a man’s role in society. (Hence the idiom of “putting one’s [insert profession] hat on.”) Little surprise, then, that the individualism of the ’60s and ’70s rejected the rule-bound world of hats, embracing anti-establishment afros, flowing locks and blow-dryer-enabled atrocities. By the late ’80s, the hat stigma faded, and every couple of years since, fashion journalists proclaim the hat’s comeback. Today, hats are runway stalwarts, and classic brands—like Borsalino, Stetson and Biltmore, which until recently was based in Guelph, Ont.—are holding steady. But hats will never entirely come back. The shift is decisive: historically, men wore hats to fit in; today, men wear hats to stand out.”

These days when I visit Toronto the people I see wearing dress hats are thirty-something hipsters going for that vintage look.

George Mason, Stanley, Nova Scotia, 1979 – © Avard Woolaver

Yonge and Dundas, Toronto, 1983 – © Avard Woolaver

Parliament Street, Toronto, 1981 – © Avard Woolaver

Crazy Joe’s Flea Market, Toronto, 1983 – © Avard Woolaver

Dundas West and Keele, Toronto, 1982 – © Avard Woolaver

Street Vendor, Yonge and Gerrard, Toronto, 1981 – © Avard Woolaver

Spadina Avenue, Toronto, 1982 – © Avard Woolaver

Yonge Street, Toronto, 1980 – © Avard Woolaver

Nathan Phillips Square, Toronto, 1982 – © Avard Woolaver

Film Photography Photography

1980s analog photography black and white photography dress hats Toronto

Published May 3, 2021 by avardw

Photographs taken on Echo Beach

This is the location that inspired Mark Gane of Martha and the Muffins to write the 1980 hit song “Echo Beach.” The photo was taken at Sunnyside Beach, Toronto, in 1984.

On a silent summer evening/The sky’s alive with lights/A building in the distance/Surrealistic sight

From Wikipedia: “Echo Beach, as mentioned in the song, does not refer to a real beach, but rather a symbolic notion of somewhere the narrator would rather be, somewhere ‘far away in time.’ The song was created while Gane was working checking wallpaper for printing faults. He found the work rather dull and his mind drifted to times he would like to live over again. One such time was an evening spent at Sunnyside Beach on the shoreline of Lake Ontario in Toronto in summer. It was only the third song that Gane had written.”

When I took the photo, I had no notion of the connection with the song. I did, however, think that the lone building was quite surreal, appearing like a non sequitor on the blank shoreline.

The song that comes to mind when I look at the photo is “You Never Give Me Your Money” and the line “Oh, that magic feeling, nowhere to go.” I had just graduated from Ryerson, and was uncertain about my future in the recession of the 1980s. Little did I know that three years later I’d be living in Japan.

When I reflect on the photo now, that stage of my life does seem “faraway in time.” I was in my twenties then, and I’m in my sixties now. I have a different perspective, looking back at those years. Some may call it wisdom, but I prefer the term “road tested.”

Black and White Film Photography Photography Toronto

Echo Beach film photography Martha and the Muffins Sunnyside Beach Toronto

Published February 13, 2021 by avardw

Documentary Photos in New York, 1983

These are some documentary photos taken in New York in 1983. Documentary photography can be defined as style of photography that provides a straightforward and accurate representation of people, places, objects and events, and is often used in reportage. It can be both significant and relevant to history and historical events as well as everyday life.

For me, documentary photos are ones that are taken without manipulation, or staging. My urban photographs from the 1980s, taken in Toronto, New York, Japan, and Asia are largely street photographs, but are also documentary in that they capture life as it is. And the passage of time makes them more interesting, and valuable, as documents of another era. The above photo, for example, shows a man sitting at the entrance to B. Altman and Company on 5th Avenue. It was the flagship store of a luxury department store chain that opened in 1906 and closed for good in 1989. It’s nice to have a record of this iconic store.

A recent article by Authur Lubow in the New York Times titled, Life As It’s Seen, Not Staged makes the point that documentary photography, which fell out of favor with the rise of manipulated images, is making a comeback. An exhibition at the International Centre of Photography highlights young photographers share “a commitment to portray life as they discover it in the world at large, without staging or manipulation; and by so doing, find and express themselves.” Lubow also makes the point that “nothing is weirder than a straight photograph of an uncanny subject.” In short, truth is stranger than fiction.

In my early sixties, I sill find everyday life endlessly fascinating, and continue to capture it with my documentary photos. They help me make sense of the world we live in, and also help me remember the places I’ve been, and people and things I’ve seen.

Black and White Documentary Film Photography Photography Social Landscape Street Photography

1980s documentary photography film photography New York New York City street photography

Published February 2, 2021 by avardw

Toronto street photos from the 1980s

Toronto street photos, 1980s, — Nathan Phillips Square Toronto, 1982 – © Avard Woolaver

Here are some Toronto street photos from the 1980s. They are images that I scanned quite recently, and have not been previously posted or published. There is a certain satisfaction for me in re-discovering these photos that I took so long ago. They tell me a lot about how much the world has changed, and I myself have changed. And, conversely, they also remind me that so many basic things in the world remain unchanged.

As we cannot travel back in time, photographs are a way to come face to face with the past–to reconnect with it without actually going there. Photographs are also a good memory aid. There is so much information crammed into our brains that forty year old information can slip away very easily. It’s funny that I can remember very clearly taking some of these photos, yet others are a complete mystery. I only know that I must have taken it for a reason. A few photos in this post were taken for a school assignment at Ryerson called “Exploration of the frame” – new and novel ways to frame photos. I’m not sure if I succeeded.

These Toronto street photos bring me joy and feelings of nostalgia. It’s hard to separate them from the memories that surround them: good times with friends at school and at parties, endless hours in the darkroom, the joy of being young and alive with a head full of tunes.

Black and White Film Photography Photography Toronto

1980s black and white film photography street photography street photos Toronto

Published November 6, 2020 by avardw

Toronto Flashback – a selection of colour photos

Toronto Flashback, colour, — Queen Street West, Toronto, 1982 – © Avard Woolaver

Toronto Flashback (1980-1986) was self published in 2016. It came about with the scanning of negatives that had lain dormant for over thirty years. I was surprised by what came out of the scanner, as I had forgotten many of the images. Thirty plus years will do that to one’s memory. And there are so many images in the Toronto work to recall–over 800 rolls of film.

Recently blogTO, a popular online Toronto publication, reposted a feature about my Toronto Flashback series. It touches on my motivation for taking the photos, and why I decided to scan and publish them. I’ll include a link here: https://www.blogto.com/city/2016/08/a_flashback_to_the_gritty_toronto_of_the_1980s/

Back in the 1980s I would shoot a roll of film (usually black and white), process it a few days later and make a contact sheet. After that I might make an enlargement of one or two of the strongest shots, and then move on. The contact sheets may be reviewed from time to time when preparing for an exhibition, but basically I didn’t look at them for years and years.

Looking back, I wish I had taken more colour photos, but am thankful for the ones I have. There were reasons for not shooting much colour. First, there was the added cost; second, I didn’t have much access to a colour darkroom to make prints. And in those days black and white was the preferred medium for fine art and documentary photographers. William Eggleston, Stephen Shore, Edward Burtynsky and other colour specialists were just emerging in the art world, and colour photography was not yet fully accepted in the art world.

There is a sense of hyper realism in a colour photograph, like looking at a Technicolor movie, that you don’t get with the more abstract black and white view. And there’s also the psychological component of how the colours make us feel. There have been numerous requests that I post and publish more of my Toronto colour work, so my next book will be “Toronto Flashback in Colour.” Stay tuned.