Category: <span>Documentary</span>

Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

In the fall of 1981, I photographed the Toronto Stock Exchange (TSE) for a school project at Ryerson. I spent three or four mornings on a viewing platform that looked down on the trading floor, trying to capture the activity and mood of the place. I remember borrowing a 300mm lens from the school–the longest lens I have ever used. The focus was so critical and as the lighting was relatively dim, I had to push the film to get adequate depth of field. I was satisfied with the results and produced a slide show programmed with a Wollensak, using the Beatles’ “Baby, You’re a Rich Man” as a soundtrack.

Looking back at these images after almost forty years, they look like relics of a different era. There are big clunky monitors, rotary phones, and paper slips strewn everywhere. There is almost a complete absence of women (they are still a minority, making up an estimated 10 to 15 percent of traders). A few women are visible, however, changing numbers on the boards, but not doing any trading. Traders are buying and selling on the phone, as well as yelling and using hand signals–a beehive of activity.

The Toronto Stock Exchange was on Bay Street in those days, in the elegant art deco building it occupied for sixty years–1937 to 1997. It then moved to the Exchange Tower on King Street, and is now the TSX. The trading floor has been replaced by an electronic trading system; gone are the men in suits, frantically yelling and gesturing. Most major exchanges in the world have also abandoned the “open outcry” method, except for the United States, where several exchanges (including the New York Mercantile Exchange and New York Stock Exchange) remain old-school.

Stephen Simpson in Investopedia talks about the pros and cons of open outcry trading. “Certainly computers are faster, cheaper, more efficient and less error-prone with routine trades – though the error rate in open outcry trading is surprisingly low. What’s more, computers are at least theoretically better for regulators in creating data trails that can be followed when there are suspicions of illegal activity. That said, electronic trading is not perfect and open outcry has some unique features. Because of the human element, traders who can “read” people may be at an advantage when it comes to picking up non-verbal cues on the motives and intentions of counter-parties. Perhaps analogous to the world of poker, there are some players who thrive as much on reading the players as playing the odds – and electronic trading removes those signals from the equation.

The series “Toronto Gone” puts a focus on things that have disappeared–buildings, businesses, parking lots, cars, people that used to be a part of the city in the 1980s and 1990s prior to the condo boom, and before the widespread use of computers and cell phones.

Toronto Stock Exchange, TSE, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, TSE, trading floor
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, TSE, trading floor
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, TSE, trading floor
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, TSE, trading floor
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, TSE, trading floor
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

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Toronto Stock Exchange, trading floor, Bay Street
Toronto Stock Exchange, Toronto, 1981 – © Avard Woolaver

Black and White Documentary Photography Toronto

Sharmay Beals-Wentzell and her daughter Shartelle Lyon organizers of a Black Lives Matter community forum in Windsor, Nova Scotia © Avard Woolaver

I attended a Black Lives Matter community forum today in Windsor, Nova Scotia, and found it inspiring and thought provoking. As I listened to the speakers relate personal stories of racism and oppression, it dawned on me that it is the black and indigenous peoples who are the true heroes. To have your land taken away, or escape slavery, live in poverty, live with segregation and residential schools; and not only survive, but THRIVE —this should be celebrated, not ignored or downplayed by white people. Imagine being told by the white majority that you are not equal, that you are second class. And in extreme cases, not really human. Imagine this inhumane treatment happening for 400 years. It’s challenging for white people to try to comprehend the depths and reach of white privilege. We should all be proud of black and indigenous citizens and of how they have succeeded in spite of racism and oppression. There is so much white people can learn from them, from their resilience and community strength.

If whites had escaped enslavement or survived residential schools, they would have been lauded as cultural heroes and icons. It’s telling that many of our monuments are for the men who were the greatest oppressors. The colonialists, slave traders, land barons. Why can’t we have more monuments for those who succeeded even when everything was stacked against them?

Black Lives Matter is very important in 2020. For all those who say All Lives Matter, I say that’s true, but imagine living in a world where the playing field is slanted in the other team’s favor (and has been for hundreds of years). Could white people even survive in such an inhumane world?

I am a white man who has known white privilege his whole life and I’m happy to be part of this cultural change.

Sharmay Beals-Wentzell and her daughter Shartelle Lyon organizers of a Black Lives Matter community forum in Windsor, Nova Scotia © Avard Woolaver

Blogging Documentary History Nova Scotia Photography

Newport, Nova Scotia, 2019, storm photos,
Newport, Nova Scotia, 2019 – © Avard Woolaver


Unusual weather conditions often create interesting photos. Today I had to make an 80 km drive to Halifax, and took the opportunity to get some storm photos. I didn’t spend much time out in the elements–most of the photos were taken in the car–but got a chance to walk on the streets in the snow and freezing rain. It’s a challenge keeping the camera protected then quickly pulling it out and getting the shot.

I’ll keep taking storm photos in the blowing rain and snow. It keeps me in touch with the seasons and the passage of time.

Halifax, Nova Scotia, 2019, storm photos,
Halifax, Nova Scotia, 2019 – © Avard Woolaver

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Halifax, Nova Scotia, 2019, storm photos,
Halifax, Nova Scotia, 2019 – © Avard Woolaver

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Halifax, Nova Scotia, 2019, storm photos,
Halifax, Nova Scotia, 2019 – © Avard Woolaver

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Bedford, Nova Scotia, 2019, storm photos,
Bedford, Nova Scotia, 2019 – © Avard Woolaver

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Bedford, Nova Scotia, 2019, storm photos,
Bedford, Nova Scotia, 2019 – © Avard Woolaver

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Newport, Nova Scotia, 2019, storm photos,
Newport, Nova Scotia, 2019 – © Avard Woolaver – After the storm

Blogging Documentary Photography

Avard Woolaver, Acadia University, football, Acadia Axemen, UNB Red Bombers, 1977

I got started in photography at Acadia University in 1977 by joining the photography club, and taking photos for the school paper–The Athenaeum. I learned how to develop and print black and white film, and take photos in a journalistic style. It gave me a reason get out and take the best possible photos, for it was an honour to have a photo in the newspaper. This documentary style of photography has stayed with me over the years. Timing is very important, and also, where to stand.

The photo is of a game between The Acadia Axemen and the UNB Red Bombers at Raymond Field in Wolfville, Nova Scotia. I tried to borrow a telephoto lens to shoot the game, but had no luck and had to make do with my 50mm lens. This meant that I couldn’t get any closeups of the action, and had to settle for wider shots. Sometimes you just have to make do.

Blogging Documentary Photography

Avard Woolaver, Allie Bennett, Nova Scotia, singer, musician, 1977, Acadia University,

I first met Allie Bennett in the fall of 1977, outside the Student Union Building at Acadia University. He was playing some folk tunes to a small crowd of people. I wondered why there weren’t more people listening; he was really good–a Cape Bretoner with that magic musical touch.

Fast forward to 1982. I was upstairs at Sam the Record Man on Yonge Street looking at blues albums, and there stood Allie Bennett. He was on tour with John Allan Cameron playing bass guitar; really starting to make it in the music business. We  talked a bit about music and our days at Acadia.

Fast forward to 2009. I was at Stanfest in Canso, Nova Scotia. There were lots of amazing performers there that year–Don Maclean, Sarah Harmer, Matt Anderson, Lennie Gallant, Amelia Curran. I was backstage and ran into Allie.  He  was playing bass and fiddle for Bruce Guthro. It was great to catch up after all those years. He has had a long and prolific career as a performer, studio musician with artists such as Rita MacNeil, Stan Rogers, Murray McLauchlan, the Rankin Family, the Barra MacNeils, Mary Jane Lamond, Natalie MacMaster, Ron Hynes,  Dave Gunning, and Ashley MacIsaac. Talent, dedication and the right choices will take you far.

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Documentary Photography