Category: <span>Documentary</span>

Published March 10, 2017 by

Blacksmith’s ledger, 1936

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Blacksmith’s Ledger, 1936                    © Avard Woolaver

This photo shows an entry in a blacksmith’s ledger from Clarksville, Nova Scotia, in 1936. The man who made the purchases was my grandfather, George Mason. I stumbled across this recently—it’s something my mother’s caregiver had found in her home. Leafing through the book, I was so happy and surprised to find my grandfather.

This photo tells us a number of things, the first being that times were hard, and of course money was scarce in the Depression years. George ran up a tab of $2.60 in the summer of 1936, and paid it off in January 1937. It cost just $0.85 to remove and replace a horseshoe. According to American Farriers Journal, by 2015, the average nationwide price for trimming four hooves and applying four keg shoes came to $120.

In the aftermath of the Halifax Explosion (in 1917, and, until World War II, the largest explosion in history), ordinary people from all over Nova Scotia traveled into Halifax to help with the cleanup. My grandfather did so, with his horse and wagon. The first time he owned a car was in the 1940s.

My mother, Beth Mason Woolaver with her father, George Mason, 1982                                            © Avard Woolaver

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Photo tip: If you don’t have a copy stand, you can use a piece of foam core with grid lines drawn on it. Use flat, even light and a tripod.  Put the photo or document on the foam core and line it up so the centre of the lens meets the centre of the artwork. A medium telephoto lens works best for this.

Colour Documentary Family Photography

1936 Avard Woolaver blacksmith family history ledger photography

Published March 7, 2017 by

Surrealism and humour in everyday life

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Marching Band, Toronto; 1983                                 © Avard Woolaver

Martin Parr‘s photographs are known for their whimsical, sardonic wit. In a recent blog post I mentioned the painter René Magritte, who consistently challenged perceptions of reality by showing ordinary objects out of their usual contexts (by, for example, putting a silk mask on an apple, or having a train emerge from a fireplace).

Parr also finds humour in everyday objects and situations. In article in The Telegraph, he noted, “Part of what I’ve done is to make the everyday look more interesting.” The photos British photographer Martin Parr takes are known for gently satirizing people and their cultures. The viewers can be left with ambiguous reactions—not knowing whether to laugh or cry.

Creating humour in photos is a difficult task: if it’s too subtle, no one gets the joke; if it’s too overt, it isn’t very funny.

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Photo tip: the key to many good photographs is patience—observing the scene and waiting for something interesting to happen. Often it’s something behind the scenes that produces the witty photo.

Marching Band, Toronto; 1983 is from the series: Toronto Days

Blogging Colour Documentary Film Photography Observation Photography Social Landscape

analog Avard Woolaver film photography humour juxtaposition marching band surrealism Toronto Toronto Days

Published March 6, 2017 by

Press the shutter, evaluate later

marching band, Toronto, shutter, 1983,
Marching Band, Toronto; 1983                                   © Avard Woolaver

National Geographic photographer Sam Abell once said, “My best work is often almost unconscious and occurs ahead of my ability to understand it.” It’s common to feel this way when editing and evaluating photos. Sometimes I don’t edit a group of photos until months or years after I’ve taken them, and I may catch nuances or connections then that escaped me when I took them.

That is why it is important not to worry so much about getting the perfect picture—just concentrate on capturing moments and experiences. You’ll have plenty of time later to reflect on it.

And, paradoxically, so much of photography is what happens after the moment. A photo takes one one-hundredth of a second, but we have lots of time afterwards to study and make sense of the image. Some photographers used to keep unprocessed film for months or years so that they could view it later with fresh eyes and a new perspective.

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Photo tip:  Go over past work from time to time. There may be some worthwhile images that you passed over at the time. Time and experience can give new perspectives.

“Marching Band, Toronto; 1983” was discovered recently on a contact sheet some thirty four years after it was taken. It is from the series: Toronto Days

Colour Documentary Film Photography Photography Social Landscape

1983 analog Avard Woolaver film marching band social landscape Toronto Toronto Days

Published March 2, 2017 by

Have your camera ready as the photo moment passes quickly

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Keele Street, Toronto; 1984                                                 © Avard Woolaver

You may have had the unfortunate experience of coming upon an interesting scene only to discover that your camera is not in your bag. Or you realize that your cell phone is back at home. Or there is no film in your camera. There are any number of scenarios, but the conclusion is that you missed the moment: you missed the shot. This has happened to me numerous times and I always vow to never let it happen again.

Capturing the moment has been one of the key aspects of photography from the very beginning. Photographer Henri Cartier-Bresson coined the term “the decisive moment” in 1952. He said, “To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.” There has been much debate as to whether one moment is more decisive than another, nonetheless, if there is a moment we are after it is important to be prepared for it.

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Photo tip: Be as ready as you can–batteries charged, space on the memory card, film in the camera, etc. When you are anticipating a good moment try to position yourself so that what is in background will be unobtrusive. And be patient–it can happen when you least expect it.

Keele Street, Toronto; 1984 is from the series Toronto Days and appears in Photo Vogue.

Black and White Documentary Film Photography Photography Social Landscape

1984 Avard Woolaver black and white street photography Toronto Toronto Days

Published February 27, 2017 by

Everyday Objects and the Democratic Forest

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St. Clair West, Toronto, 1983     © Avard Woolaver

Photographer Willliam Eggleston is known for legitimizing colour photography as art. His photos are a visual treat without clichés—no sunsets, no lighthouses. Instead, he has ordinary scenes and everyday objects—things that we mostly pass by without notice.

As Eudora Welty says in her introduction to Eggleston’s book The Democratic Forest (1989), one of his photographs might include “old tyres, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters and palm trees crowding the same curb.”

Eggleston looks at the world in a democratic way; all things, even the most banal, are worth photographing. It’s a form of mindfulness—being aware and concentrating on the moment.

“I just wait until [my subject] appears, which is often where I happen to be. Might be something right across the street. Might be something on down the road. And I’m usually very pleased when I get the image back. It’s usually exactly what I saw. I don’t have any favorites. Every picture is equal but different.” – William Eggleston

When I’m in that zone, I take time to observe everything around me. I find it relaxing and meditative. And it can lead to photos of brushes and brooms!

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Photo tip: Try taking photos just where you happen to be. In the coffee shop, in your backyard, in the parking lot. You don’t need to go to Mt. Everest to get good photos.

Colour Documentary Film Photography New Topographics Photography Social Landscape

1983 analog Avard Woolaver film photography new topographics social landscape St. Clair West Toronto Toronto Days